Three street art objects have been painted in the city of Yekaterinburg. When viewed from above on a map, they are equidistant from one another. If you mentally draw a circular line connecting them, they will be linked by it. This line serves as the foundation of this artwork.
Typically, a visual street art object involves stylizing the concept within the shape or color of the artwork. However, in this case, these three works have no direct connection to the concept. The visual aspect of the artwork is primarily focused on the presence of the street art objects in the appropriate location.

The imagined circle represents the trajectory of a boomerang's flight, serving as a metaphor for the unification of these works. I aim to establish this imaginary line through the interplay and explication of plot interaction with the art objects.

The image of an Indian was chosen as the basis for this artwork because the object of art represents an invisible line, something intangible or metaphysical in nature. Indians are often associated with mysticism and cults, making them a fitting inspiration. Thus, the simple boomerang used by Indian tribes serves as the connecting element between the objects.

The abstraction is depicted untidy enough, as if it were cryptographic symbols of the Indians. But mostly cryptographic symbols are very understandable and distinguishable, but in this case, the feeling of flight is conveyed by the effect of the indecomposability of an image without specific images, as if you are reading something while flying over an object at high speed.

In the images, I inlaid small inscriptions of the name of the project in parts to separate or indicate the connection between them.